story now, craft later
TUN Fellow Adesuwa Olumhense
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For her fellowship project Adesuwa wrote a series of poems focused on her family and culture. The numbers were added to replicate page breaks in the original submission.
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(1)
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Trace a hesitant finger back to your genesis
Do you remember your first breath
Your grandmother’s first sigh
Your sister’s first laugh?
Do you remember when it all fell apart?
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(2)
Foreword
By: Adesuwa Olumhense
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Because rocky road drips a tacky lie down my fingers
And good things do not always come to those who wait, my father says.
Because if you tug your curls down long enough
Soon they’ll look just a bit straighter.
Because when you’re old enough to sit and wait until your scalp catches fire
It means the perm is working.
Because straight hair shines brightly
Until it breaks off into space.
Because you will repeat your name until your throat dries
And they still won’t hear you.
Because your brothers march out the door on a one-way trip
And your sisters murmur their bloodsoaked litany.
Because my brothers are their father’s sons
And my sister was born a mother.
Because ‘someday’ is written in a tongue
my grandfather will never learn
And my grandmother refuses to speak.
Because when I ask my mother
“Will the sunflower’s neck snap
if the sun is too far from view?”
She waits for the world to answer.
(3)
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Edo terms
Kpele - Sorry
Ebonekhui - A white person in a black person’s body. The nickname the people around Benin City gave my grandfather.
Iwu - Body markings of the native Edo people, accomplished by tattooing or scarification. There were facial markings and body markings. Women would also paint their faces for traditional rituals. In the past 60 or so years, this tradition has almost completely died.
Oba - the king of the ancient Benin Kingdom, now in modern day Edo state in Southern Nigeria. The current Oba is the descendent of the ancient kings.
Iyoba - A title for the King’s mother. Translates as “Queen Mother.” One of the most important Iyoba in Edo history is the Iyoba Idia who fought on the battlefield in ancient times, for whom the title was created.
Ogbono - African bush mango seed. Used especially in Southern Nigeria for soup.
Òy' èsé - “It’s okay.
(4)
Kpele
By: Adesuwa Olumhense
“It’s not personal,” Ebonekhui starts,
standing tall and proud
in clothes your father would scoff at.
His English burns your ears.
He will not meet your eyes until the ceremonial paint is gone
So you turn, head high for all who care to see your light
And you wash.
When your tears clear the paint
all that remains on your naked face is your iwu.
And he cannot remove the marks that hug your skin
Kiss your face
You turn, smile, and greet your nieces
Tell them the story of each curve in every scar.
If their history cannot live on their face,
It must burrow its home in them somehow.
“It’s for their safety,” Ebonekhui claims quietly, void of apology.
"We won't eat sacrifices."
Your arms wilt in the kitchen
bags of packaged food dangling at your sides.
Do you tell him?
The blessings you murmured over the stew
Can be heard at the Oba’s own table.
Do you tell him?
You plucked the ogbono seeds for the soup yourself
Stood in the kitchen for hours
Stirring and singing your mother’s favorite songs
Do you tell him?
As you look at his daughter’s grinning faces
Full of joy and devoid of the markings
the Iyoba wore with pride.
It’s not your God who grew this food, you want to shout.
It’s not your Queen that fought our wars.
Does your God know our language?
Could your God sing our songs?
Does it matter?
Because there you both stand
stuck between the powers that be
and the powers that bend.
The truth flails on the wrong side of your tongue
And you pity it.
So you swallow, smile, and say
“Òy' èsé.”
(5)
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God’s Gift
Adesuwa Olumhense
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She no longer walks on coals, but she still tempers her steps.
She walks a slow, trembling gait, aware of each toe that hits
the earth, murmuring to the grass her apologies. She walks,
and watches as you take your first step, your fourth, your ninth,
into the pure madness that is freedom. Freefall. She pauses,
mouth stretched wide to warn as the sink gathers a dish overnight,
then a pot, but the drums of war have not started. Her world is
buzzing, not from hands, not from names, but from the
vertigo of the rollercoaster’s climax.
And this is peace, the far echo of a mourned lullaby, the warm
brush of sheets on a bed you bought with your own money. This
is peace, as the kitchen gathers forbidden spices and flavors,
as you create your own recipe for life’s magic, splatter it across
nonstick pans on a Wednesday evening and call it art.
(6)
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One last secret
Adesuwa Olumhense
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Do not fear; The child inside you never died.
She wanders, barefoot, through your veins
Hikes up your back as you section your hair
just to slip down the slide of your spine in the shower
She mimics your silly faces at each baby on the street
Stumbles right beside you to pronounce ingredients in the African market
Asks the questions you don’t dare voice aloud.
If you listen just right to the wind and its laughter
You’ll hear her, giggling right back.
(7)
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Forward
By: Adesuwa Olumhense
Your world did not end in one day.
When the fabled day passed, no white flag was thrown.
The mourning doves chirped quietly to themselves.
Instead, you face this 3 am version of you
husk and human
Paper skin wrapped around crackling bones
gripping your shaking knees
It ends like this:
When they pull your fingers back
To tell you that you should watch your figure
So you shove your hands into your school uniform
(you weren’t that hungry anyway—)
When they say your skin will burn and blacken in the sun
Too dark, too dirty, too ugly
And you wrap yourself in shade and sorries.
Like this
When they pull your hands away from the steering wheel
For your brother to push forward.
“Save his pride,” your father says.
“His little sister cannot drive first.”
When you can no longer bear to make silly faces in the mirror
So you turn away from your sun.
When you look into your mother’s face
And a thousand ghosts stare back.
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Your world did not end in one day
It will not restart in one either.
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What is the cure for a lifetime spent dancing with the dark?
When it begins again
Your world will not start with a pale dawn.
You scream your way to a new beginning
Vision blurred, fists trembling
And new truths buzzing under your tongue
Your first battle, a distant “no,”
You barely hear yourself
Your opponent rears back from the blast
And a part of you yearns to do the same
You lay by the beach
read the words of your sisters
Until your skin matches the deepest of soils
And it is no longer sin, but sacred
But still, sometimes, you tremble
A mosaic of misery
That 3 AM version of you creeps back
Hugging shaking knees to a heaving chest
But never forget the wonder of watching ivy crawl up the garden wall
For the versions of you, bruised, trying, grieving
Countless hands clenched tight on a near forgotten daydream
Your world did not end in one day
It will not restart in one either.
But on the nights where you continue your dance with demons
On the nights where demons leave and you continue your dance alone
Remember this.
With each step, know your aunties smile that little grin, bright enough to make their iwu glow
Know your grandmother hides her laugh in the cloud of palm oil smoke
Know your sisters will turn to greet the mirror like an old friend
(Like you, dearest, like you)
And smile.
(8)
When they say “Get over it”
By: Adesuwa Olumhense
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You must never claim the sins they shoved under your skin.
A jagged gift tastes of terror.
A Trojan weapon will not outgrow its design.
But when you remove the rot, excavate the essence of your soul
Free from weight, full of grief, drenched in promise
You will pull gravel from the depths of the spirit
Pebble by pebble, tear by tear
Shadow screams at sunlight, and the shards will try to take you with them.
You must fight!
From the depths of the ruin, with the strength of one thousand ‘cans’ to their army of ‘cannots’
From the blackest tunnels they left you in
You must fight, because you have waited your entire life to bloom.
Shadow screams at sunlight, and the shards will not give in.
But you tend the gravel, coax it from your rich soil.
Call each bit of rubble by name and set it aside.
For the Sun has always resided in you
And what is Earth, but an immeasurable beginning?
The light will shower its rays of wishes
And you, dear heart, are the heir to it all.
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(c) Adesuwa Olumhense 2023 for The Untold Narratives